| | Sango Bidani | A Critical Study of the Cinematic Adaptations of Devdas in the Indian Subcontinent | Prof. Anuradha Ghosh | 2023 |
| | Manjeera G | The Persistence of Dystopian/Utopian Spaces in Popular Imagination: An Analysis of the Apocalypse in Young Adult Dystopia | Prof. Baran Farooqi | 2023 |
| | Md. Faizan Moqium | Aesthetics of Dissonance: A Study of Khalid Jawed’s Art of Fiction | Prof. Baran Farooqi | 2023 |
| | Marilyn Thomas | Clothing and Gender Implications in Shakespearean Drama | Prof. Baran Farooqi | 2023 |
| | Indrani Dasgupta | Social Vision of Science Fiction in Modern India: A Study of Select Texts | Prof. Nishat Zaidi | 2023 |
| | Arif Nisar | Articulating Discontent: A Study of Kashmiri Folklore | Prof. Baran Farooqi | 2023 |
| | Anab Naiyer | Desire and Domesticity: Studying Contemporary Print Culture of Urdu Digests in North India | Prof. Baran Farooqi | 2023 |
| | Inderpreet Kaur | Depiction of Dalits in Contemporary Hindi Cinema | Prof. Saroj Kumar Mahananda | 2023 |
| | Anusha Halim | Ideology, Violence and Resistance in the Fiction of Mohammed Hanif and Nadeem Islam | Dr. Shubhy Abidi | 2023 |
| | Shreya Singh | Revisiting Dalithood in the works of Meena Kandasamy and Sujatha Gidla | Prof. Saroj Kumar Mahananda | 2023 |
| | Mirza Sadaf Fatima | Globalization, Identity and Muslim Woman: A Study of Select Texts of Tehmina Durrani, Leila Abouzeid and Mohja Kahf | Dr. Ivy K. Hansdak | 2023 |
| | Disha Pokhriyal | Women, Writing and Discoveries of a Powerful Self | Prof. Baran Farooqi | 2023 |
| | Shabeeh Rahat | Postcolonialism and Indian English Writing: Text, Context, Theory | Prof. Ameena K. Ansari | 2023 |
| | Sombir Sharma | A Critical Evaluation of Premchand’s Non-Fiction Writings | Prof. Mukesh Ranjan | 2022 |
| | Rupleena Bose | The city Minstrel: Urban Music from Bengal, 1992-2002 | Prof. Anuradha Ghosh | 2022 |
| | Mehak Burza | Literary Representations of the Holocaust: An Assessment | Prof. Baran Farooqi | 2022 |
| | Kanika Gandhi | Writing in Self: The Study of Select English Texts by Pakistani Women | Dr. Shuby Abidi | 2022 |
| | Pratibha | Self and Community in Autobiographical Narratives by Dalit Women in the English Translation | Dr. Shuby Abidi | 2022 |
| | Md. Shalim Muktadir Hussain | The Contribution of Translation to the Shaping of an Assamese Literary Aesthetic | Prof. Anuradha Ghosh | 2022 |
| | Nida Eqbal | Representation of Men and Masculinities in the Works of Ismat Chughtai | Dr. Asmat Jahan | 2022 |
| | Mona Sinha | Imaging Indian Woman in the New Millennium: A Study of Select Hindi Soap Operas and Reality Television | Prof. Ameena Kazi Ansari | 2022 |
| | Mohd. Ashraf Bhat | Satirical Mode in the Post-independence African Novel: A Study of the Selected Works of Chinua Achebe, Ngugi Wa Thiongo and Ayi Kwei Armah | Prof. Mukesh Ranjan | 2022 |
| | Sananda Roy | Adaptation and Ideology: A Study of Rituparno Ghosh’s Films | Prof. Mohd. Asaduddin | 2022 |
| | Aisha Mohammad Shamsuddin | A Study of the Emergence of Superhero in India | Dr. Asmat Jahan | 2021 |
| | Ipshita Nath | The Making of the ‘Memsahib’: Studying Memsahibs of Colonial India, and Their Representation in Postcolonial Literature | Prof. Nishat Zaidi | 2021 |
| | Pisharody Rajitha Venugopal | Presenting ‘An/Other America’: A Study of Select Works by Barbara Kingsolver | Prof. Ameena Kazi Ansari | 2021 |
| | Jennifer Monteiro | Representation of Masculinity and Men in Contemporary Feminist Theatre in India: A Study of Select Indian Women Playwrights | Prof. Nishat Zaidi | 2021 |
| | Lama Jamal Eddin Jneidy | Travelling to Damascus: The Image of the City in Select English Narratives from the Colonial Era | Prof. Ameena Kazi Ansari | 2021 |
| | AC Kharingpam | The Cultural and Literary Impact of the Bible on the Tangkhul Nagas: A Study in Shifting Narrative | Prof Simi Malhotra | 2021 |
| | Tasneem Q Khan | Dissident Narratives: The Complex World of Muslim Protagonist in Popular Hindi Cinema | Prof M. Asaduddin | 2020 |
| | Aateka Khan | A Critical Evaluation of Richard Burton’s Travel Writings | Dr. Ivy I. Hansdak | 2020 |
| | Neelam Pandey | The Problematic of Constructing and Disseminating New Knowledge: Interrogating Publishing Industry and Readership in India | Prof. Ameena Kazi Ansari (co-supervisor: Prof Anisur Rahman) | 2020 |
| | Anubhav Pradhan | Imaging the Subcontinent Colonial Realism and the Ethnographic Writing of British India | Prof. Baran Farooqi | 2020 |
| | Ali Rafiei | Sa’di in English: Translation and Reception | Prof. M. Asaduddin | 2020 |
| | Shaifta Ayoub | History, Culture, Identity and Gender: Kashmir Conflict in Contemporary Texts | Dr. Asmat Jahan | 2020 |
| | Mubashir Karim | Author/Reader Nexus and Metafiction: A Case Study of Select Self-Reflexive Novels | Prof Nishat Zaidi | 2020 |
| | Saba Zahoor | Identity Crisis or Identity in Crisis? Interrogating Subjectivity in Select Writings of Joseph Heller | Prof Nishat Zaidi | 2020 |
| | Anamta Rizvi | Language, Identity and Authority: Canon Formation in Indian Writing in English post-1950 and the Contribution of Writers Workshop, Calcutta | Prof Nishat Zaidi | 2020 |
| | Chaandreyi Mukherjee | Dark Sweethearts: Postmodern Women in Haruki Murakami’s Fiction | Prof Ameena Kazi Ansari | 2020 |
| | Shaheen Saba | Approaches and Strategies of Dastan translation: A Critical Study of Musharraf Ali Farooqi’s Translation of Dastan-e-Amir Hamza | Prof M. Asaduddin | 2020 |
| | Samea Haleem | A Critical Study of Caryl Churchill’s Select Plays | Prof. Baran Farooqi | 2019 |
| | Shailendra Kumar Singh | Conformity and Resistance in the Select Fictions of Premchand | Prof. M. Asaduddin | 2019 |
| | Satadru Chatterjee | License to Frame: Representation of the Political Other in James Bond Novels | Prof. Simi Malhotra | 2019 |
| | Mohammad Al Zayed | From ‘History to Myth’ and ‘Myth to History’: Re/Presenting ‘Resistance’ in Cross-Cultural Modes | Prof. Anuradha Ghosh | 2019 |
| | Uttara Bisht | Suicide of the Author: A Study of the Personal Writings of Virginia Woolf and Sylvia Plath | Prof. Simi Malhotra | 2019 |
| | Shiv Kumar | A Study of Self-Reflexivity in Select Dalit Writings | Prof. Mukesh Ranjan | 2019 |
| | Shimi Moni Doley | Chimera of the Self: African American Female Subjectivities and the Politics of Life Writing | Dr. Ivy Imogene Hansdak (co-supervisor: Prof Anisur Rahman) | 2019 |
| | Devika Mehra | A Study of Transitions and Emergent Trends in Children’s Cinema as a Genre in India | Prof. Anuradha Ghosh | 2019 |
| | Shradha Kabra | Whose “Real is it anyway”? A Study of Indian Reality Television Shows | Prof. Simi Malhotra | 2019 |
| | Shabeena Kuttay | Interrogating the Postcolonial Intellectual, Activist and Writer: A Critical Reading of Arundhati Roy’s Non-Fictional Works | Prof. Ameena Kazi Ansari | 2018 |
| | Megha Jain | Representation of Gender Bias: A Study of Three Indian English Women Playwrights | Prof. Mukesh Ranjan | 2018 |
| | Sarfaraz Nawaz | Shifting Identities in the fiction of Bharati Mukherjee | Dr. Shuby Abidi | 2018 |
| | Jigyasa Hasija | ‘Greening’ Films and Feminism: The Environment in Movies through Ecofeminism | Prof. Baran Farooqi | 2018 |
| | Sadia Parveen | Narratives of Resistance: A Study of Select Indian Muslim Women Writers of the Twentieth Century | Prof. Nishat Zaidi | 2018 |
| | Kajal Tehri | Patriarchal and Nationalistic Rhetoric: Representation of Partition in Select South Asian Writers | Dr. Asmat Jahan | 2018 |
| | Asiya Zahoor | Revisiting Representations: A Study of Select Writings by Kashmir Displaced Writers | Prof Mukesh Ranjan | 2018 |
| | Bharti Arora | Writing Gender, Writing Nation: A Critical Study of Select Women's Fiction in Post-independence India | Prof. Nishat Zaidi | 2017 |
| | Sina Tavassoli | Space as a Motif for Power and Identity in Selected Plays of Harold Pinter | Prof. Baran Farooqi | 2017 |
| | Sanjib Kumar Baishya | Theatre and the Popular: A Study of the Bhramyamaan Theatre in Assam | Prof M Asaduddin/ Prof. Simi Malhotra | 2017 |
| | Rajesh Kumar | History, Memory and Myth: A Study of Diasporic Constructions in the Poetry of A.K. Ramanujan | Dr. Shuby Abidi / Prof. Anisur Rahman | 2017 |
| | Debosmita Paul | The First Partition of Bengal and the Problematic of Indian Nationalism: A Study of Select Bangla Writings (1905-1916) | Prof. Nishat Zaidi | 2016 |
| | Saman Ashfaq | Communalism and Literature in Post-Independence India: A Study of Select Indian Novels in English | Prof. Ameena Kazi Ansari | 2016 |
| | Saroj Kumar Mahananda | Works of Basudev Sunani: Oriya Dalit Historiography | Prof. M. Asaduddin | 2016 |
| | Darshan Lal | Assertion of Dalit Identity in Dalit Fiction | Prof. Mukesh Ranjan | 2016 |
| | Deepti Zutshi | Between Violence and Silence: A Study of Performance Aesthetics in Manipur | Prof. Anuradha Ghosh | 2015 |
| | Gitanjali Chawla | From Roots to Routes: A Critical Study of Select Folk Songs of Punjab | Prof. Simi Malhotra | 2015 |
| | Kusha Sharma | A Study of Nadine Gordimer’s Post-Apartheid Writings | Prof. Baran Farooqi | 2015 |
| | Sapna Dudeja Taluja | After Postmodernism: Ethics, Virtuality and Politics | Prof. Simi Malhotra | 2015 |
| | Shatarupa Sinha | Indian English Literature: A Critical Inquiry into Reading Strategies and Pedagogy | Prof. Anisur Rahman | 2015 |
| | Ved Parkash | Dialectic Life and Art in the Works of Sylvia Plath | Prof.Mukesh Ranjan | 2015 |
| | Nirmalya Samanta | Folklore as Visual Imaging: A Study of Legends of Childhoods of Krishna, Ganesh and Hanuman in Contemporary India (2000-2010) | Prof.Anuradha Ghosh | 2014 |
| | Sunil Kumar | Aesthetics, Technology and the Self: Tracing the Theoretical Shift from the Frankfurt School to Postmodernism | Prof. Simi Malhotra | 2014 |
| | Urvashi Sabu | Pakistani Women Poets: Literary Representation and the Dynamics of Religion, Politics, and Society | Prof. Anisur Rahman | 2014 |
| | Panchali Mukherjee | Constructions of History: A Study of the Novels of A.S.P. Ayyar, Manohar Malgonkar and Bhagwan S. Gidwani | Prof. Shyamala A. Narayan | 2012 |
| | Asmat Jahan | Reconstructing the Renaissance: A Critical Study of Robert Browning’s Dramatic Monologues | Prof.Mukesh Ranjan | 2012 |
| | Kinshuk Majumdar | Subject to Rule: The Individual and the State in Amitav Ghosh’s Writings | Prof. Shyamala A. Narayan | 2012 |
| | Jayanti Seth | Autobiography in the Age of Democratic Revolution: A Study with Special Reference to Benjamin Franklin and Jean Jacques Rousseau. | ProfAmeena Kazi Ansari | 2011 |
| | Ahmer Nadeem Anwer | The Menace of Madness: Rationalisation, Franken-science, and the Eighteenth-Century Metaphoricity of Unreason | Prof S N. H. Jafri | 2011 |
| | Bhagwant Kour | Women in Modern British Drama: A Study of Selected Plays of John Osborne, Arnold Wesker, Doris Lessing and Caryl Churchill | Prof. S.N.H. Jafri | 2008 |
| | Tasneem Shahnaaz | A Critical Study of Adrienne Rich | Prof. Anisur Rahman | 2005 |
| | Payal Khanna | Shifting Paradigms in Culture: A Study of Three Plays by JeanGenet: The Maids, The Balcony, The Blacks | Prof Shymala Narayan | 2005 |
| | Ayesha Irfan | Quest for Black Identity and Self Definition in the Novels of Toni Morrison | Prof M. Asaduddin | 2005 |
| | Yahya Saleh Hasan Dahami | Revival of Poetic Drama: T. S. Eliot’s Contribution to the Genre | Prof. Anisur Rahman | 2004 |
| | Baran Rehman | Early Nineteenth Century Shakespeare Criticism and its Influence on Later Approaches. | Prof. S. N. H. Jafri | 2002 |
| | Jayita Sengupta | Issue of History and Gender in the Novels of Toni Morrison, Michele Roberts and Anita Desai | Prof. M. Asaduddin | 2002 |
| | Ameena Qazi Ansari | Canadian Literary Canon: Emergence and Development | Prof. Anisur Rahman | 2002 |
